Gordon Lightfoot Book, Music and More!

Skip Prokop was one of Canada’s first major rock stars, a world-class drummer and talented songwriter who co-founded the groundbreaking jazz-rock band Lighthouse, which earned international acclaim in the 1970s. His death on August 30, after a long battle with heart disease, sparked an outpouring of tributes from the music world. Prokop got his start with the Paupers, an innovative Toronto rock quartet that took New York by storm in March 1967 and became the first Canadian band to land a U.S. album deal. He then recorded with Janis Joplin, performed with Cass Elliot and Carlos Santana and became greatly admired for his session work with Peter, Paul & Mary and Al Kooper and Mike...

She’s a groundbreaker, bringing African music into the pop mainstream. Now the Grammy-winning diva has pulled off an impressive feat: taking Talking Heads’ classic 1980 worldbeat album and deepening its essential African-ness, upping the hypnotic polyrhythmic grooves on “Crosseyed and Painless” and turning “Once in a Lifetime” into a joyous carnival celebration.

Neko’s latest is a gem—self-produced and full of melodic charms and fairy-tale delights. “Bad Luck” is all soaring girl-group harmonies, while “Oracle of the Maritimes,” co-written with Laura Veirs, and “Gumball Blue,” one of two songs penned with New Pornographers bandmate Carl Newman, take listeners deep into the raven-haired siren’s rich, imaginative world.

No single artist is more closely connected to Massey Hall than Gordon Lightfoot. Beginning in 1951 and ’52, as a pre-teen with his first place wins in two Kiwanis Festival singing competitions, Lightfoot has made over 165 appearances (and counting) on its hallowed stage. The Orillia native returned in ’55 with his Teen Timers quartet to take second prize in a barbershop singing contest. Lightfoot’s first concert as a featured singer-songwriter came in March 1967, which one critic described as a “country-and-Lightfoot parade of Canadiana.” Two years later, Canada’s folk star recorded his first live album there, Sunday Concert (his second was 2012’s All Live, drawn from material recorded at Ma...

One of the brightest, most refreshingly original female singers to emerge from the UK in the last dozen years, Allen suffered several personal and professional setbacks, including her split from the father of her two daughters, a battle with substance abuse and the lukewarm response to her last album, 2014’s Sheezus. Allen has also been given a rough ride by the British tabloid press. But her’s fourth album is a triumphant comeback in which the 33-year-old “Smile” singer has taken control of her story with starkly honest confessional songs. On “Apples,” she sings quietly over a simple keyboard riff about how her breakup with her husband mirrors her parents’ divorce. And she tackles her bad p...

This five-song EP is the second recording collaboration between the indie rocker and the Hollywood actress, following their 2009 album Break Up. That album, according to Yorn, dealt with “an unraveling relationship,” while Apart  deals with what he describes as the love affair’s “aftermath.” Johansson, who released an album of Tom Waits covers with 2008’s Anywhere I Lay My Head, duets with Yorn on the Fleetwood Mac-like “Bad Dreams” and the chiming “Iguana Bird.” “It is always a pleasure to sing with Yorn,” says Johansson, “because our voices and stories complement each other.” Indeed they do. The dreamy “Movies” is a perfect example of the sensuous weave of their vocals over a moody, m...

He’s still only 19 but, with his third album, the Toronto-born pop star now sounds fully grown up. Gone are the innocent songs in favour of mature numbers with an edgier sound. Mendes had some help to pull off the transition. His friend Ed Sheeran co-wrote one of the album’s strongest songs, “Fallin’ All in You,” sung by Mendes in his mellifluous falsetto, while his mentor John Mayer produced “Like to Be You,” and provided a bluesy guitar solo to the catchy song, a duet with Julia Michaels, of "Issues" fame. Michaelsa also sings with Mendes on “Nervous,” a Bruno Mars-style funk number she also co-wrote. Other contributions include OneRepublic frontman Ryan Tedder’s co-write on the electro-ti...

She’s made two conceptual albums featuring her alter-ego, the time-traveling android Cindi Mayweather, and starred in two films: the Oscar-winning Moonlight and Hidden Figures. And yet a major commercial breakthrough has so far eluded her. But this could be Monáe’s moment. Working with Prince before he died in 2016, Monáe went on to create a strikingly personal album. The sensual “Make Me Feel” is a direct homage to Prince’s “Kiss,” while “Americans” resembles the free spirit of his “Let’s Go Crazy” and the finger-popping “Pynk” channels the Purple One’s sexually liberated anthems. Monáe, who has been romantically linked to actress Tessa Thompson, uses her new album to explore themes of femi...

It may seem bizarre but Hatfield, best known for her 1993 alt-rock nugget “My Sister,” delivers a sincere, kick-ass tribute to her childhood hero. She scuffs up Newton-John’s “Hopelessly Devoted to You,” gives a punk edge to her “Totally Hot” and embraces the pure pop of “Physical” and “Have You Ever Been Mellow” in a most brilliant way.

It’s an unlikely pairing—one is a member of English rock royalty, the other a Jamaican superstar—but it works. “We both have ridiculous names,” jokes Sting, born Gordon Sumner, while Shaggy, born Orville Burrell, cites the two musicians’ shared love of reggae music as the bond. The pair’s island-inspired album, named after the British and Jamaican dialling codes, is a sunny delight. It opens with the title track, a dancehall number featuring Shaggy, best known for hits like “Oh Carolina” and “Boombastic,” toasting about rice and peas and Sting singing about Bob Marley. There are moments of genuine fun, on the infectious “Don’t Make Me Wait,” and of pure drama, on the courtroom-themed “Crooke...