The Beatles changed the world in countless ways, but they also dramatically changed Toronto over three consecutive years of performances (1964 to 1966) at Maple Leaf Gardens. Almost overnight, the city was hit with a cultural shift of seismic proportions: Boys grew Beatle-bangs, girls pinned photos of John, Paul, George and Ringo on their walls and parents worried about the sanity of their teenaged children. Canada’s folk darlings, Ian & Sylvia, had ruled up to that point, but as the male half of that duo, Ian Tyson, remembers, “the minute the Beatles arrived, it was over – well and truly over.” The folk boom slowed, as every kid on the block rushed to form rock bands. Toronto’s music sc...
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Toronto’s Queen Street, the portion running west from stately University to cosmopolitan Spadina, was originally a jumble of greasy spoons, barbershops and clothing stores. Owners lived above their shops, while children played on sidewalks. There were even a couple of watering holes that supplied the mostly Irish, Jewish and Eastern European locals with cold, cheap draft beer. By the late 1970s, those bars had become part of a fertile breeding ground, a creative hothouse of forceful protest, stylish adventure and uninhibited experimentation that produced an explosion of musical talent. In many ways, it paralleled the city’s fabled Yorkville scene of the previous decade, with a tight concentr...
Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...
The Silver Dollar is one of Toronto’s most historically significant music venues. Along with its important role as a blues bar for 16 years (1994-2010), it provided a regular showcase room for rock, jazz and bluegrass music. The earliest known band to play there was Tommy Danton & the Echoes, a gold-lame-suited group fronted by a Sinatra-style crooner that performed a popular mix of jazz and rhythm 'n' blues. Danton and the Echoes (pictured below at right) had a long residency at the club, after it opened in 1958. In the ’70s, when the Dollar was a strip club, the house band included notable jazz players John T. Davis (B3 organ) and Tommy Okie (drums) who brought in sax great Jim H...
He’s one of the most famous musicians of the 20th century and a rock guitarist of unparalleled talent. Although his mainstream career lasted only four years before his death on Sept. 18, 1970 of an apparent drug overdose, Jimi Hendrix shone so brightly that today his albums and concert appearances are the stuff of legend. The official Hendrix website, run by his estate, painstakingly catalogues every recording and performance he ever made under his own name. And many devoted fan sites do the same. As most fans know, the Jimi Hendrix Experience performed twice in Toronto: once at the Canadian National Exhibition on Feb. 24, 1968, on a bill with England’s Soft Machine and Toronto’s own Pa...