Murray McLauchlan moved downtown and never looked back. Armed with a guitar and a backpack, he ran away from home at the age of 17 and headed straight to Yorkville. He wound up crashing at the Village Corner coffeehouse, sleeping on a mattress in the basement and soaking up the sounds of guitarists like Amos Garrett and Jim McCarthy and folksingers including Al Cromwell and Elyse Weinberg. The Village Corner had been the place where artists like Ian & Sylvia, Gordon Lightfoot, David Wiffen and Bonnie Dobson all got their start. The son of a trade unionist, McLauchlan developed an artistic flair while attending Central Technical School, where he took classes from renowned Can...
Gordon Lightfoot Book, Music and More!
Jackie Shane broke all the rules. An American-born, black, transgender woman, Ms. Shane first came to Canada in the conservative early 1960s and won over audiences with her glamorous image and soulful singing. For the next decade, she packed clubs in Ontario and Quebec and landed one memorable song, the slinky, sassy “Any Other Way,” near the top of the charts. But then Ms. Shane disappeared and erroneous rumours circulated of a possible murder or suicide. For the next 40 years, the mystery grew until word came that the retired performer was living back in her native Nashville. Ms. Shane’s rediscovery resulted in a massive comeback that the former singer never planned – nor actively particip...
Bob Dylan and Gordon Lightfoot have long been mutual admirers. The legendary singer-songwriters began moving in the same circles in 1964, after Lightfoot was signed to Groscourt Productions by Dylan's manager Albert Grossman. It wasn't long before Lightfoot, at Grossman's suggestion, recorded Dylan's "Just Like Tom Thumb's Blues." Although it would be several years before Dylan returned the favour and cut his own version of "Early Morning Rain," the "Blowin' in the Wind" singer had already expressed his fondness for Lightfoot's "I'm Not Sayin'" and several of his other tunes. In the summer of '65, Lightfoot and Dylan crossed paths at Grossman's house in Woodstock, New York (Lightfoot e...
When Ian Tyson arrived in Toronto in September 1958, the folk music scene didn’t exist. The coffeehouses hadn’t yet appeared in Yorkville. The city’s bohemian district consisted of a few ramshackle cafés and galleries along a tiny stretch of Gerrard Street, near Bay, that attracted colorful personalities and painters like Harold Town. All of that was about to change with the Folk Boom ignited by the Kingston Trio and its massive hit “Tom Dooley.” Tyson had hitchhiked his way East from the West Coast, where he’d graduated from the Vancouver School of Art. He was 25 years old. His life experience at that point largely amounted to riding bareback in rodeos and playing a little guitar in rockabi...
1. Janelle Monáe - Dirty Computer She’s made two conceptual albums featuring her alter-ego, the time-traveling android Cindi Mayweather, and starred in two films: the Oscar-winning Moonlight and Hidden Figures. And yet a major commercial breakthrough has so far eluded her. But this could be Monáe’s moment. Working with Prince before he died in 2016, Monáe went on to create a strikingly personal album. The sensual “Make Me Feel” is a direct homage to Prince’s “Kiss,” while “Americans” resembles the free spirit of his “Let’s Go Crazy” and the finger-popping “Pynk” channels the Purple One’s sexually liberated anthems. Monáe uses her new album to explore themes of femininity, LGBTQ and blac...
Classically trained operatic tenor and pianist Jeremy Dutcher recently won the Polaris Music Prize (Canada’s equivalent of the Mercury Prize) for Wolastoqiyik Lintuwakonawa, an album of songs sung in his native Wolastoq dialect. Wolastoq is a dying language, spoken by only one hundred people within his First Nation community, but Dutcher was inspired by a “song carrier” to seek out his people’s ancient songs and breathe new life into them. The result is a post-classical recording of stunning beauty. “I was sitting around elder Maggie Paul’s kitchen table, having this discussion about the musical life of our community,” recalls Dutcher, a member of the Tobique First Nation in New Brunswick wh...
It’s been a good year for the former Barenaked Ladies man. First, he was inducted into the Canadian Music Hall of Fame alongside his ex-bandmates and reunited with them for the first time since parting ways with them in 2009. Now Page has Discipline: Heal Thyself, Part 2, a strong new solo album—his fifth—full of diverse sounds and thoughtful lyrics of both a personal and political nature, informed by being a Canadian citizen living in the U.S. The power-pop single “White Noise” was written in the wake of the Charlottesville white nationalist rally last August, while Latin-flavoured “Gravity” satirizes climate-change deniers. A more positive message is expressed in “Feelgood Summer” and...
Josh Groban can turn heads with his soaring voice. But the bearded and boyish 37-year-old music Grammy nominee still goes largely unnoticed in public. That is bound to change as his TV and film appearances become more frequent and higher profile. This summer, Groban hosted the Tony Awards and is currently starring in the Netflix comedy-drama series The Good Cop, in which he plays the squeaky clean son of a corrupt police officer. Recently, we sat down with the versatile L.A.-born star to talk about his thriving career, Canadian connections and Bridges, his first album of original music in five years. What is it with you and Canada? You’ve co-written with so many Canadians, from Chantal Krevi...
At 76, Sir Paul could be forgiven if he slowed down and kicked back in his slippers with a nice cuppa. But that’s not Macca’s way. In fact he’s as busy as ever, going viral with James Corden’s Carpool Karaoke and launching another world tour Sept. 17 in Quebec City. On his 17th solo studio album, McCartney sounds still in his prime—feisty, frisky and having fun. The flirtatious “Come On to Me” is a delirious rocker, while “Fuh You,” produced by hitmaker Ryan Tedder, is sexy and infectious. The rest of the album, produced by Greg Kurstin (Beck, Adele), ranges from the Latin jazz of “Back in Brazil” and the bouncy “Happy With You” (about his wife Nancy Shevell) to the cautionary political...
The High Priestess of Freak is looking suspiciously like a Volvo Driving Soccer Mom. Dressed in a denim shirt, track pants and running shoes, with only a white, fun-fur cowboy hat hinting at her outlandish style, Macy Gray arrives at a studio in Burbank, California for a rehearsal with her seven-piece band. She’s late and her group has already run through most her repertoire. But the singer doesn’t seem the least bit concerned. Instead, Gray plonks herself down on a couch, curls her long, lanky frame up at one end of it and hides beneath the wide brim of her hat, nodding occasionally along to the music. She seems bored or at least tired—which would be entirely understandable, given that she’...