Gordon Lightfoot Book, Music and More!

On Naked, the latest album by rock’s influential New York City-based Talking Heads, leader David Byrne sings: “’Round and ’round and we won’t let go/And where we stop no one knows.” The song is “Ruby Dear,” and Byrne could well be referring to the new disc’s musical tour around the world. Recorded in Paris with a crew of international musicians, Naked reflects pop’s global village, where Congolese guitars meet Latin-style horns and ancient Middle Eastern melodies play off modern Western synthesizers. The result is one of the band’s best recordings. And by crossing a number of cultural boundaries, Naked signals a strong new trend toward international pop. Rock music h...

The music of Talking Heads has always been on the fringe of pop. True eccentrics, the members of the group have created songs on such unlikely topics as buildings, civil servants and mental health set to music ranging from American new wave to African tribal rhythms. Their new album, Little Creatures, continues to examine everyday thoughts and things--from television to babies and domestic bliss--and, because the group has now dropped African rhythms in favor of simple pop tunes, the album's music is easier to understand. On "Creatures of Love," an amiable country-and-western tune about human reproduction, David Byrne sings with childlike amazement about how "little creatures come out" after...

She’s a groundbreaker, bringing African music into the pop mainstream. Now the Grammy-winning diva has pulled off an impressive feat: taking Talking Heads’ classic 1980 worldbeat album and deepening its essential African-ness, upping the hypnotic polyrhythmic grooves on “Crosseyed and Painless” and turning “Once in a Lifetime” into a joyous carnival celebration.

The former Talking Head is a restless soul, undertaking books, films, operas, photographs and drawings to express his quirky views. His latest album, a collaboration with longtime cohort Brian Eno, offers a surprising antidote to the world’s depressing news: optimism—conveyed on joyously melodic tracks like “Here” and “Every Day is a Miracle.”

1. The Last Waltz The Band’s elegant swansong is the ultimate rock concert movie. Director Martin Scorcese’s discreet camerawork and superb sound captures inspired performances from Eric Clapton, Joni Mitchell, Van Morrison and others. Scorcese keeps his focus almost exclusively on the stage. Beneath three massive chandeliers, the Band pays tribute to its influences with such friends as Muddy Water (an explosive “Mannish Boy”), Neil Young (a wistful “Helpless”) and Bob Dylan (a stirring group finale on “I Shall Be Released”). But the highlight is “The Weight,” performed with gospel’s Staples family, which ranks among the most exquisite music sequences ever committed to film.     2....