Gordon Lightfoot Book, Music and More!

Silky vocals and soaring falsetto are his trademarks. So, too, are soul-baring lyrics and slowed-down, smoothed-out r&b. All of which has made Caesar, who won a Grammy for his debut, a modern quiet-storm sensation. With his excellent third album, the Toronto artist cranks up the emotion—but not the tempo. Songs like the hook-laden “Always” and the dream-like “Pain is Inevitable” deal with vulnerability and heartbreak, while the sultry “Let Me Go” is like a candle-lit bath. Brimming with confidence even as he expresses doubts about fame, Caesar’s latest finds the talented singer at the top of his game. 

When Jack Long opened his first musical instrument store in Toronto in 1956, he was a skilled jazz trumpeter without a clue about business. “I didn’t even know what an invoice was,” he often said. Mr. Long learned the hard way. When sales were slow, he and a drummer friend, Jack McQuade, started giving lessons in the store’s back rooms. When they discovered colleagues often wanted to borrow instruments, Mr. Long invented modest rental fees: “three dollars if it was small, four dollars if it was bigger.” Together as partners, the two Jacks grew the company until 1965, when Mr. McQuade decided to pursue drumming full-time and sold his portion of the firm to Mr. Long. Today, the family-owned Lo...

Oscar Peterson is remembered as a gifted pianist who could play it all, from Chopin and Liszt to blues, stride, boogie and beyond. Peterson led his own jazz trios, performed with such legendary figures as Ella Fitzgerald, Count Basie, Dizzy Gillespie and Louis Armstrong, who dubbed him “the man with four hands,” won eight Grammy Awards and Canada’s prestigious Glenn Gould Prize. Called the "Maharaja of the keyboard" by Duke Ellington, he released over 200 recordings before his death in 2007, including his 1956 Stratford Festival recording, 1958’s On the Town, recorded at Toronto’s Town Tavern, and 1962’s Night Train, which featured a number of Ellington pieces a...

 Murray McLauchlan moved downtown and never looked back. Armed with a guitar and a backpack, he ran away from home at the age of 17 and headed straight to Yorkville. He wound up crashing at the Village Corner coffeehouse, sleeping on a mattress in the basement and soaking up the sounds of guitarists like Amos Garrett and Jim McCarthy and folksingers including Al Cromwell and Elyse Weinberg. The Village Corner had been the place where artists like Ian & Sylvia, Gordon Lightfoot, David Wiffen and Bonnie Dobson all got their start.   The son of a trade unionist, McLauchlan developed an artistic flair while attending Central Technical School, where he took classes from renowned Can...

Gordon Lightfoot got his start on Yonge Street, not in Yorkville. Although the bard of Canadian song is often associated with Yorkville’s Riverboat coffeehouse, where he first became a star while performing weeklong stints in the mid-1960s, his first real home as a solo artist was Steele’s Tavern, at 349 Yonge. A two-storey operation run by Greek restaurateur Steele Basil, Steele’s was sandwiched between Yonge Street’s famously competitive record stores: Sam’s and A&A’s. There, in the upstairs Venetian Lounge, Lightfoot performed his songs for anyone who would listen, often competing with the clink of beer glasses and televised hockey games for people’s attention. Lightfoot had traveled ...