Gordon Lightfoot Book, Music and More!

When Bob Marley died of cancer at 36 in 1981, he received a burial more befitting a king than a musician. His funeral drew the largest crowds in Caribbean history. The Jamaican parliament recessed for 10 days of national mourning, having just awarded him an Order of Merit. As millions mourned the passing of reggae music’s first major star, music industry insiders predicted that reggae— with its bass-heavy beat and its lyrical links to the island’s mystical Rastafarian religion— would soon fade away. But the forecast was wrong. Despite the death of its leading practitioner and reggae’s continuing struggle for airplay on North American radio stations, its appeal keeps spreading. This summer, r...

Mac Rebennack a.k.a. Dr. John (November 20, 1941 – June 6, 2019) "This guy has the whole history of New Orleans music in his head," David Simon, creator of TV's Treme, once said about Dr. John. Indeed he did. In the summer of 1987, I was the lucky recipient of an extensive history lesson from the Good Doctor on the Big Easy's musical past. Over the course of an unforgettable hour, the "Right Place, Wrong Time" singer regaled me with tales of his musical career and the pivotal figures he worked with, artists like Fats Domino's guitarist Walter 'Papoose' Nelson, producer Cosimo Matassa and bandleader Bumps Blackwell, as well as his own heroes, including Professor Longhair. These are my origina...

Dr. John and New Orleans. Although the legendary pianist has made New York City his home for almost a decade now, his name still conjures up visions of Voodoo, Mardi Gras and the Big Easy. Born in New Orleans nearly 50 years ago as Mac Rebennack, the man once known as the Night Tripper is so deeply steeped in the city’s musical traditions that he’s become its best-known historian and archivist, a walking, talking encyclopedia and human jukebox rolled into one. Sitting in the dressing room at Toronto’s El Mocambo after a recent night stand, Rebennack downplayed any talk about his newfound success. Despite having won a Grammy for “Makin’ Whoopee,” a sultry duet with Rickie Lee Jones from his b...

For a British rock band with a salacious past, the setting was devilishly ironic: a former girls' boarding school, nestled in the moneyed hills of New England. For eight weeks this summer, The Rolling Stones took possession of the secluded Wykeham Rise School in the small northwest Connecticut town of Washington - a two-hour drive from New York City - to prepare for the band's first concert tour in seven years. The three-month tour opened with a blast of raw energy last week in Philadelphia and made a two-concert stop in Toronto this week, before going on to Vancouver, Montreal and about 36 U.S. cities. On a balmy afternoon last month at Wykeham Rise, bassist Bill Wyman, guitarist Ron Wood a...

The music of Talking Heads has always been on the fringe of pop. True eccentrics, the members of the group have created songs on such unlikely topics as buildings, civil servants and mental health set to music ranging from American new wave to African tribal rhythms. Their new album, Little Creatures, continues to examine everyday thoughts and things--from television to babies and domestic bliss--and, because the group has now dropped African rhythms in favor of simple pop tunes, the album's music is easier to understand. On "Creatures of Love," an amiable country-and-western tune about human reproduction, David Byrne sings with childlike amazement about how "little creatures come out" after...

In the industry where he spent his entire working life, Deane Cameron was fondly known as Captain Canada, a passionate man with an unwavering commitment to musicians, a hilarious way with one-liners and a heart, many say, that was as big as the country itself. Too modest to embrace any superhero title, Mr. Cameron worked tirelessly to boost new and established Canadian pop and rock artists during his nearly 25 years as head of Capitol Records-EMI of Canada (renamed EMI Music Canada), where he famously started in the warehouse and worked his way up to president. Few have played a more vital role in this country’s musical culture. Among his many accomplishments, he coaxed Stompin’ Tom Connors ...

In the summer of 1998, I got a call from Deane Cameron, president of EMI Music Canada. He said he was a big fan of my book Before the Gold Rush and asked if I’d be interested in writing the Canadian history of EMI to celebrate his label’s upcoming 50th anniversary. Deane had a vision for a book about the company where he’d started in the warehouse and worked his way up to become president. He didn’t want it to be about him—lord no—but about how the evolution of the label mirrored the growth of Canadian music itself. I loved a lot of the artists on Capitol and EMI, past and present. How could I say no? After negotiating what I felt was a very agreeable fee, I ventured out to the EMI offices o...

Artistic genius, or howling, lost-on-the-moor madwoman? Kate Bush has always defied description—and divided audiences along the way. As British author John Mendelssohn put it, when Bush “came out of of nowhere in 1978 with her jaw-droppingly eccentric debut single ‘Wuthering Heights,’ screeching like a banshee, flapping her arms as though trying to take wing, pulling alarming faces, people either adored or loathed her.” But absence has benefitted Bush. Since dropping out of the music world to raise a family, a massive cult has grown up around the reclusive, publicity-shy singer. There are now Kate Bush fashions and fan conventions, while the truly obsessive celebrate her birthday as “Katemas...

Quique Escamilla’s music is a tantalizing blend of sweet and sour, light and dark. The talented Canadian troubador’s entrancing second album opens with the Manu Chao-like reggae vibe of the title track, a tart tale of historical corruption and exploitation in his Mexican homeland, and ends with the gorgeous “Tú Sólo Tú” (“You Only You”), a pedal-steel-drenched traditional ranchera about obsessive love, a song Tejano pop star Selena covered before her tragic death. As with his debut album, the Juno-winning 500 Years of Night, Escamilla doesn’t shy away from other hard-hitting subjects, including “Highway of Tears,” about British Columbia’s remote highway where so many Indigenous women and gir...

Canadian musicians have always flocked to New York, drawn like moths to the bright lights of the city that never sleeps. Dreams of a breakthrough in New York have inspired artists ever since Toronto vocal groups the Crew-Cuts, the Four Lads and the Diamonds all had success there, followed by Ottawa teenager Paul Anka, who ventured to the Big Apple in 1957 and scored a number one hit with "Diana," his lovestruck ode to a former babysitter. The steady stream continued during the folk boom. In November, 1965, Ian & Sylvia performed at New York's prestigious Philharmonic Hall while Gordon Lightfoot played a few days later just down Broadway Avenue at the Town Hall. Both folk acts became regu...