Gordon Lightfoot Book, Music and More!

In the summer of 1998, I got a call from Deane Cameron, president of EMI Music Canada. He said he was a big fan of my book Before the Gold Rush and asked if I’d be interested in writing the Canadian history of EMI to celebrate his label’s upcoming 50th anniversary. Deane had a vision for a book about the company where he’d started in the warehouse and worked his way up to become president. He didn’t want it to be about him—lord no—but about how the evolution of the label mirrored the growth of Canadian music itself. I loved a lot of the artists on Capitol and EMI, past and present. How could I say no? After negotiating what I felt was a very agreeable fee, I ventured out to the EMI offices o...

Artistic genius, or howling, lost-on-the-moor madwoman? Kate Bush has always defied description—and divided audiences along the way. As British author John Mendelssohn put it, when Bush “came out of of nowhere in 1978 with her jaw-droppingly eccentric debut single ‘Wuthering Heights,’ screeching like a banshee, flapping her arms as though trying to take wing, pulling alarming faces, people either adored or loathed her.” But absence has benefitted Bush. Since dropping out of the music world to raise a family, a massive cult has grown up around the reclusive, publicity-shy singer. There are now Kate Bush fashions and fan conventions, while the truly obsessive celebrate her birthday as “Katemas...

Quique Escamilla’s music is a tantalizing blend of sweet and sour, light and dark. The talented Canadian troubador’s entrancing second album opens with the Manu Chao-like reggae vibe of the title track, a tart tale of historical corruption and exploitation in his Mexican homeland, and ends with the gorgeous “Tú Sólo Tú” (“You Only You”), a pedal-steel-drenched traditional ranchera about obsessive love, a song Tejano pop star Selena covered before her tragic death. As with his debut album, the Juno-winning 500 Years of Night, Escamilla doesn’t shy away from other hard-hitting subjects, including “Highway of Tears,” about British Columbia’s remote highway where so many Indigenous women and gir...

Canadian musicians have always flocked to New York, drawn like moths to the bright lights of the city that never sleeps. Dreams of a breakthrough in New York have inspired artists ever since Toronto vocal groups the Crew-Cuts, the Four Lads and the Diamonds all had success there, followed by Ottawa teenager Paul Anka, who ventured to the Big Apple in 1957 and scored a number one hit with "Diana," his lovestruck ode to a former babysitter. The steady stream continued during the folk boom. In November, 1965, Ian & Sylvia performed at New York's prestigious Philharmonic Hall while Gordon Lightfoot played a few days later just down Broadway Avenue at the Town Hall. Both folk acts became regu...

In early 1965, Toronto's Levon & the Hawks were having a hard time with the law. Levon Helm, Robbie Robertson, Garth Hudson, Rick Danko and Richard Manuel, along with their road manager Bill Avis, were charged with possession of marijuana, after being arrested at Toronto's airport by RCMP officers. With bail set at $10,000 apiece and a court case likely to drag on for months, the pot bust threatened to detrail the momentum of the group that would soon become world famous as the Band. The charges were all a set up. A jealous boyfriend of a girl Danko was seeing told the cops that the group was smuggling in a trunkful of pot into Canada. In fact, Danko had an ounce of Panama Red in his jac...

Gordon Lightfoot's music has always been about more than just the man and his songs. Beginning in 1965, all of Lighfoot's performances and recordings included regular band members. The first two musicians to join him were guitarist Red Shea and bassist John Stockfish. Throughout the rest of the '60s and into the '70s, Shea and Stockfish each provided key elements to the Lightfoot sound. But who were they, and where did they come from? Red Shea was born Laurice Milton Pouliot in Prince Albert, Saskatchewan. Red had a checkered past, having hopped freight trains and worked in a traveling carnival. He'd even done a stint in prison. Looking to break into show business, he ventured east with his ...

Joe Hall possessed one of the most fertile imaginations in Canadian songwriting. His concerts in the 1970s and 80s are the stuff of legend: frenetic displays of eclectic music and absurdist theatre in which he seemed to have narrowly escaped a straitjacket. Although his star dimmed in subsequent decades, the prolific artist never stopped writing songs, recording and performing. When news spread recently that he had died, fans across Canada mourned the loss of a gifted, lovable oddball whose commercial success never matched his unbridled talent. During Mr. Hall’s heyday touring widely with his band the Continental Drift, he often drew comparisons to Frank Zappa for wild performances of songs ...

Gordon Lightfoot got his start on Yonge Street, not in Yorkville. Although the bard of Canadian song is often associated with Yorkville’s Riverboat coffeehouse, where he first became a star while performing weeklong stints in the mid-1960s, his first real home as a solo artist was Steele’s Tavern, at 349 Yonge. A two-storey operation run by Greek restaurateur Steele Basil, Steele’s was sandwiched between Yonge Street’s famously competitive record stores: Sam’s and A&A’s. There, in the upstairs Venetian Lounge, Lightfoot performed his songs for anyone who would listen, often competing with the clink of beer glasses and televised hockey games for people’s attention. Lightfoot had traveled ...

Details: Author: Nicholas Jennings; Hardciover/Paperback: 327 pages; Publisher: Penguin Random House; 2017/2018; Language: English; ISBN: 978-0-14-319920-5 Book Description from Amazon The definitive, full-access story of the life and songs of Canada's legendary troubadour Gordon Lightfoot’s name is synonymous with timeless songs about trains and shipwrecks, rivers and highways, lovers and loneliness. His music defined the folk-pop sound of the 1960s and ‘70s, topped charts and sold millions. He is unquestionably Canada’s greatest songwriter, and an international star who has performed on the world’s biggest stages.While Lightfoot’s songs are well known, the man behind them is elusive. He’s ...

The world-renowned composer of Broadway’s hit musical Hair began his musical career in the 1950s as the organist-choirmaster at Montreal’s Westmount Baptist Church. At the time, Galt MacDermot also moonlighted in nightclubs around his hometown—“crashing about on the piano, turning church hymns into jazz,” as one of his relatives, the writer Janet Savage Blachford, once recalled. By 1957, the son of a Canadian diplomat and teacher had composed music for My Fur Lady, Canada’s most successful original musical. MacDermot moved around a lot as a child, but music was a constant preoccupation. Encouraged by his piano-playing father, Terence, Galt began experimenting on the record at age five and be...