Gordon Lightfoot Book, Music and More!

Aaron Neville’s voice has the power to open doors. When he was a boy in his native New Orleans, he used to sing his way into basketball games and movie theatres, impressing ticket-takers so much with his sidewalk performances that they would let him in free. Then, in 1967, when Neville was a 26-year-old stevedore, his singing took him from the docks to the top of the charts with the achingly sweet ballad “Tell It like It Is.” Since then, his distinctive tenor has enriched the music that he and his three brothers make as the highly acclaimed New Orleans-flavored band The Neville Brothers, whose popularity expanded during the 1980s with such albums as Fiyo on the Bayou (1981) and Yellow Moon (...

Steeped in voodoo lore, New Orleans has a reputation for casting a spell on visitors. Known to its residents as “the Big Easy,” the city has a tropical climate and a French and Spanish colonial history that give it an atmosphere unique in North America. Tourists are charmed by its annual Mardi Gras festivities and its world-famous Cajun cuisine. But for many people, music provides the city’s most potent magic. Although it has long been associated with such traditional styles as Dixieland, New Orleans also produced some of the liveliest rhythm and blues of the 1950s. Later, its musicians provided rock ‘n’ roll with exotic flavorings. Now, the city is experiencing a musical boom that extends f...

Gord Downie inhabits an enviable place in Canadian culture. At concerts, thousands of fans chant his lyrics as if they were mantras. They hang on his every move with the rapt attention of a church congregation. Yet the Tragically Hip’s charismatic front man has never seemed altogether comfortable in the role of shaman. His first allegiance has always been to the band and the friends with whom he formed the group more than 15 years ago in Kingston, Ont. Now, with Coke Machine Glow, 38-year-old Downie is stepping out on his own with a poetry book and his first solo album. Released jointly by Universal Music Canada and Vintage Canada (they will be sold as a single package for the first two week...

Jazz musicians have often turned to Cuba, one of the world’s hotbeds of rhythm, for inspiration--most notably Dizzy Gillespie. Canada’s Jane Bunnett fell in love with the island’s music more than 10 years ago, when the flutist and soprano saxophonist visited there with trumpeter Larry Cramer. A rising international jazz star, Bunnett and husband Cramer recently returned from Cuba with a valuable souvenir: Spirits of Havana, a prized collaboration with several top Cuban musicians. Some of the recording, featuring veteran singer Merceditas Valdés and percussionists Grupo Yoruba Andabo, is simply well-produced, traditional Afro-Cuban music. But such numbers as “Yo Siempre Oddara (Forever Strong...

A return to her jazzier side, Taming the Tiger finds Joni Mitchell, now 54, happy but hardly complacent. Featuring saxophonist Wayne Shorter (Weather Report) and drummer Brian Blade (Joshua Redman), the album includes sensuous, romantic numbers like “Love Puts On a New Face,” with its swirling keyboards and Mitchell’s pastel-shaded chords, and “The Crazy Cries of Love,” about a late-night tryst on a train bridge that she wrote with her boyfriend, Saskatoon songwriter Don Freed. But other songs, such as “Lead Balloon” and “No Apologies,” attack some of Mitchell’s favorite targets: corrupt lawyers and twofaced record executives. On the acerbic title track, she sings: “I’m a runaway from the re...

One of the world's pre-eminent record producers, Canada's Daniel Lanois stepped out from behind the controls in 1989 to release his own album. An auspicious debut, Acadie signalled the arrival of a promising new performer with a flair for moody, country-tinged rock. For the Beauty of Wynona, his follow-up album, reveals other facets of his artistry. Inspired by Winona, Ont., the town near Hamilton where Lanois grew up, the recording is full of songs that conjure up stark, sometimes haunting images. The title track, with its childhood memories of fishing and girls skipping double-dutch, and “Sleeping in the Devil's Bed,” a lazy honky-tonk number, have a shimmering, dreamlike quality. And ther...

For fans who have always known that a serious singer lurked beneath k. d. lang's tongue-in-cheek country exterior, Ingénue is thrilling confirmation. Gone are the hoedown humor and country-punk affectations that characterized--and sometimes marred--her earlier style. A moody collection of ballads, Ingénue is steeped in the torch tradition of such singers as Julie London and Patsy Cline in her pop period. And the songs, written mostly by lang and fiddler Ben Mink, reveal a surprising vulnerability. On “The Mind of Love,” a tale of tortured romance, lang asks herself, "where is your head Kathryn/where is your head." And on “Save Me,” a shimmering ballad, her voice washes over the listener like...

Lori Yates' country roots run deep--in Toronto's Queen Street music scene, not Nashville. So when CBS Records signed the singer and flew her down to Music City to record a debut album in 1989, it proved to be a mistake: Can't Stop the Girl not only took the girl our of the country, it also took the country--at least Yates' special brand of it--out of the girl. Five years later, the spirited singer finally gets the introduction she deserves with Breaking Point, a superb collection of rocking country and bluesy pop tunes written and performed with the cream of Queen Street talent. A gritty heartache number like "Make a Liar Out of Me," with backup vocals by Blue Rodeo's Jim Cuddy and guitarist...

Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...

Few artists have seen their songs covered more than Gordon Lightfoot. But usually, it's the legendary singer-songwriter's tales of love and loss, of broken hearts and promises, that get reinterpreted. Rarely are his story songs offered a new spin by other performers. Now Canada's veteran punk-hard rock band Headstones have served up a feisty take on Lightfoot's famous shipwreck song. Over a driving beat and slashing guitars, Headstones frontman Hugh Dillon delivers an edgy account of the harrowing night that the S.S. Edmund Fitzgerald sank on "the big lake they call Gitchie Gumee." The video of the song shows Dillon alone on a frozen lake and later the band performing on a barren windswept l...