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The Paul McCartney Photographs 1963-64: Eyes of the Storm exhibit at the AGO is well worth seeing when it opens to the general public on March 24. Organized by the National Portrait Gallery in London, with curation by the AGO’s Jim Shedden, the collection of 250 photographs from Paul McCartney’s personal archive gives a candid, insider’s view into the dizzying maelstrom that was the early years of Beatlemania in 1963 and then in '64, when they first landed on North American shores.  The photographs of John Lennon, George Harrison, Ringo Starr and others, were all taken by McCartney on his Pentax camera, while shots of Paul himself were snapped by members of the Beatles entourage, like o...

England was basking in an unseasonably warm and bright afternoon one play last week. Paul McCartney, however, was spending it enveloped by darkness and fog, as he had done for most of the preceding month. Yet the famous ex-Beatle’s mood could hardly have been sunnier. On Soundstage 6 at the Goldcrest Elstree Studio complex north of London, shrouded by dry ice, McCartney enthusiastically kicked into a performance of “Sgt. Pepper’s Lonely Hearts Club Band.” He was rehearsing for his most significant career move since the breakup of The Beatles in 1970. Buoyed by the critical success of his latest album, Flowers in the Dirt, and excited about the sound of his new band, McCartney is embarki...

Paul McCartney performed outside on a rooftop of sorts to the delight of fans below.  It wasn’t the Apple Corps building on London’s Saville Row, made famous by the Beatles fabled appearance there in 1969, but New York’s Ed Sullivan Theater, at 53rd Street and Broadway, where McCartney was appearing on the Dave Letterman show.  It was July 15, 2009 and Sir Paul McCartney was marking the 45th anniversary of the Beatles' triumphant appearance on Ed Sullivan. For the occasion, he and his band played “Get Back” and “Sing the Changes,” taped for the Late Show broadcast, but then thundered through a mini-set that included through “Coming Up,” “Band On the Run,” “Let Me Roll It,” “Helter ...

Even from an artist renowned for outrageous behavior, the action was a shocking sight. In August, 1984, Richard Penniman—better known as Little Richard, the flamboyant 1950s rocker—began picketing an office building in downtown Los Angeles. The rock star was not on strike; he was on a crusade. The offices belonged to ATV Music Corp., one of the world’s largest song publishers. Little Richard’s claim: that ATV, along with Specialty Records and Venice Music, owed him millions of dollars in royalties for “Tutti-Frutti,” “Good Golly Miss Molly” and other classic Little Richard hits. Four months later his $115-million lawsuit against those companies was thrown out of U.S. Federal Court. Now, Litt...

At 76, Sir Paul could be forgiven if he slowed down and kicked back in his slippers with a nice cuppa. But that’s not Macca’s way. In fact he’s as busy as ever, going viral with James Corden’s Carpool Karaoke and launching another world tour Sept. 17 in Quebec City. On his 17th solo studio album, McCartney sounds still in his prime—feisty, frisky and having fun. The flirtatious “Come On to Me” is a delirious rocker, while “Fuh You,” produced by hitmaker Ryan Tedder, is sexy and infectious. The rest of the album, produced by Greg Kurstin (Beck, Adele), ranges from the Latin jazz of “Back in Brazil” and the bouncy “Happy With You” (about his wife Nancy Shevell) to the cautionary political...