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The story of folk icon Neil Young and funk master Rick James were once being in a Yorkville band together has become the stuff of rock 'n' roll legend. They were unknowns at the time and the Mynah Birds just happened to be where their paths converged, along with those of Goldy McJohn and Nick St. Nicholas, future members of Steppenwolf, and Bruce Palmer, who ultimately wound up with his buddy Neil in Buffalo Springfield. The following story, largely excerpted from Nicholas Jennings’ Before the Gold Rush: Flashbacks to the Dawn of the Canadian Sound, published by Penguin Books in 1997, is one of the earliest accounts of the now storied Mynah Birds band. It draws on an extensive interview...

Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...

When Ian Tyson arrived in Toronto in September 1958, the folk music scene didn’t exist. The coffeehouses hadn’t yet appeared in Yorkville. The city’s bohemian district consisted of a few ramshackle cafés and galleries along a tiny stretch of Gerrard Street, near Bay, that attracted colorful personalities and painters like Harold Town. All of that was about to change with the Folk Boom ignited by the Kingston Trio and its massive hit “Tom Dooley.” Tyson had hitchhiked his way East from the West Coast, where he’d graduated from the Vancouver School of Art. He was 25 years old. His life experience at that point largely amounted to riding bareback in rodeos and playing a little guitar in rockabi...

 Murray McLauchlan moved downtown and never looked back. Armed with a guitar and a backpack, he ran away from home at the age of 17 and headed straight to Yorkville. He wound up crashing at the Village Corner coffeehouse, sleeping on a mattress in the basement and soaking up the sounds of guitarists like Amos Garrett and Jim McCarthy and folksingers including Al Cromwell and Elyse Weinberg. The Village Corner had been the place where artists like Ian & Sylvia, Gordon Lightfoot, David Wiffen and Bonnie Dobson all got their start.   The son of a trade unionist, McLauchlan developed an artistic flair while attending Central Technical School, where he took classes from renowned Can...

John Kay was a German-born singer who was playing folk-blues guitar and harmonica at Yorkville’s Half Beat and crashing above the Night Owl in an apartment belonging to Vicky Taylor, Joni Mitchellʼs ex-room-mate. One night in 1965, during an after-hours jam session above the Half Beat, some of the Sparrows came up, heard Kay and joined in. They loved Kayʼs bluesy edge and later suggested he drop by the Devilʼs Den and play some harmonica. The Sparrows then asked Kay to join—but not without a makeover.  According to Jerry Edmonton, Kayʼs hair, for one thing, didnʼt look right. “It was all slicked back. He looked more like James Dean, black hair, greasy and combed back. He was a bit pudgy...