Gordon Lightfoot Book, Music and More!

It surprised no one who knew him that Mendelson Joe would choose to die entirely on his own terms. In a Feb. 7 post on his website titled “That’s It Folks,” the prolific, self-taught musician, painter and activist who had advanced Parkinson’s disease, wrote: “I have ended my job as multi-media artist with the provision of MAID (Medical Assistance in Dying).” Unable to resist a last chance to advocate his beliefs, he added: “I see MAID as a sign of a civilized society. To be born Canadian is a great blessing. We have free speech. We have healthcare. We have MAID. Thank you, Canada.” Mr. Joe was 78. Those closest to him remember a unique man, unwavering in his views and blunt in delivering the...

Toronto has a long history of live music recordings, from clubs, coffeehouses and dance halls to football stadiums, hockey arenas and concert auditoriums. Some have been commercially released by record companies, while others have been secretively bootlegged by nefarious fans. The most legendary live recordings from Toronto have been those made with world famous rock, pop and blues acts like the Rolling Stones, who recorded parts of 1977's Love You Live at the El Mocambo club, where more live recordings have been made than anywhere else in the city. Others recording there include April Wine, Elvis Costello, Nick Lowe, the Cars, Big Walter Horton, Whiskey Howl, George Thorogood...

Neil Peart was not like most drummers. Seen from above, his sprawling kit resembled a painter’s pallet, with myriad drumheads and cymbals providing the bold primary and pastel shades of his art. He played his instrument with virtuosity and athleticism, pushing himself to the outermost limits of his creativity and ability with distinctive fills and complex solos that helped to make Rush such a formidable rock band. While most drummers are content to sit, dutifully holding down the backbeat, Mr. Peart was a restless soul with inexhaustible ambition and an insatiable curiosity that took him unexpected places. He traveled widely, rode motorcycles, collected vintage cars and Canadian art and read...

Geddy Lee visibly tenses up when he talks about the period when fans drove him and his family out of their east-end Toronto home. It was the late 1970s, and Lee’s band, Rush, was the undisputed champion of arena rock in Canada. He and his wife, Nancy Young, and their small son were leading a quiet life in the Beaches, a middle-class neighborhood, until Rush fans discovered where the band’s bassist-singer lived. From then on, recalls Lee, the family felt besieged as strangers peered through windows and demanded autographs, guitars and even, on occasion, money. Faced with constant intrusions, the Lees fled, settling in an affluent downtown Toronto area. And for more than a decade, the reluctan...