Gordon Lightfoot Book, Music and More!

It surprised no one who knew him that Mendelson Joe would choose to die entirely on his own terms. In a Feb. 7 post on his website titled “That’s It Folks,” the prolific, self-taught musician, painter and activist who had advanced Parkinson’s disease, wrote: “I have ended my job as multi-media artist with the provision of MAID (Medical Assistance in Dying).” Unable to resist a last chance to advocate his beliefs, he added: “I see MAID as a sign of a civilized society. To be born Canadian is a great blessing. We have free speech. We have healthcare. We have MAID. Thank you, Canada.” Mr. Joe was 78. Those closest to him remember a unique man, unwavering in his views and blunt in delivering the...

When Bob Dylan first plugged in his guitar and strummed an electrified chord, the guru of 1960s folk music sent shock waves through the ranks of his followers. But Dylan, like his Canadian peers Neil Young and Joni Mitchell, was merely moving with the times. While the rock and jazz directions that Young and Mitchell pursued led them to stardom and an enviable international audience, other Canadian singer-songwriters of that decade stayed home to improve their performing and recording skills. Recent albums by four of those artists —Murray McLauchlan, Ann Mortifee, Mendelson Joe and David Wilcox—demonstrate that it is possible to survive the fickle shifts of pop music with one’s craft intact. ...