In February 1968, Ian and Sylvia made a pilgrimage to Music City, home of the Grand Ol’ Opry, to record their Nashville album with session cats like Fred Carter, Jerry Reed and Harold Bradley. The Byrds hadn’t yet arrived to make their Sweetheart of the Rodeo album and it would be a full year before Bob Dylan showed up to record Nashville Skyline. After years of being overlooked, Ian and Sylvia’s Nashville is now finally recognized as the first pop-country crossover album. Both it and the subsequent Full Circle paved the way for the duo’s landmark country-rock album, Great Speckled Bird, recorded in Nashville with Todd Rundgren as producer. “...
Gordon Lightfoot Book, Music and More!
The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.
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When Bob Dylan first plugged in his guitar and strummed an electrified chord, the guru of 1960s folk music sent shock waves through the ranks of his followers. But Dylan, like his Canadian peers Neil Young and Joni Mitchell, was merely moving with the times. While the rock and jazz directions that Young and Mitchell pursued led them to stardom and an enviable international audience, other Canadian singer-songwriters of that decade stayed home to improve their performing and recording skills. Recent albums by four of those artists —Murray McLauchlan, Ann Mortifee, Mendelson Joe and David Wilcox—demonstrate that it is possible to survive the fickle shifts of pop music with one’s craft intact. ...
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