He was an unlikely pop star of the post-Woodstock era. Clean-shaven and pipe-smoking, with short, clipped hair and a preference for cardigans and safari jackets, he looked more advertising executive than hip musician. But Canada’s R. Dean Taylor was always determined to make it in the entertainment world. Venturing to Detroit in the early 1960s, he landed himself a job at Motown and became an anomaly – a white songwriter at a black rhythm-and-blues record label. Like many session singers and musicians, it seemed Mr. Taylor was forever destined to be just another background player, standing in the shadows of Motown. That changed when his song “Indiana Wants Me” catapulted him to stardom. Afte...
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