Gordon Lightfoot Book, Music and More!

Radiohead Kid A  The most adventurous rock album of the year takes dreamy twists and turns while veering off into nightmarish cul-de-sacs. But it ultimately arrives at its hopeful destination with a message about survival in an alienated world. Sarah Harmer You Were Here  The brilliant solo debut from the former lead singer of Kingston, Ont.’s Weeping Tile signals the arrival of an exceptional singer-songwriter—and a major new star. Shelby Lynne I Am Shelby Lynne  She’s all that Nashville isn’t— passionate, tortured, rootsy and real. That makes Lynne’s soulful album easily the year’s best country release. Paul Simon You’re the One  With songs about fat...

A selection of 2016's finest recordings, in no particular order: Radiohead  A Moon Shaped Pool - How can something so harrowing sound so sweet? Rich in symphonic and folky lushness, it’s big, beautiful and a little nightmarish.Beyoncé  Lemonade - With profound and touching songs about family ties, racial pride and female strength, Beyoncé makes a powerful personal statement and her career-defining album.David Bowie Blackstar - Bowie’s swan song, a trippy, jazz-infused art rock album that includes the shape-shifting, apocalyptic title track.Solange  A Seat at the Table - A stunning accomplishment for Beyoncé’s once-overshadowed sister: a gorgeous album that is both political an...

Bat for Lashes, aka England’s Natasha Khan, counts Radiohead and M.I.A. among her fans. A former nursery school teacher, Natasha won acclaim with her first Bat for Lashes album, Fur and Gold, which earned Mercury Prize and Brit Award nominations. Her second album should attract a wider audience with bold tracks like the Kate Bush-style opener “Glass,” the Fleetwood Mac-like “Daniel” and the ethereal closer “The Big Sleep.” Wildly exotic, Bat for Lashes’ Natasha is a refreshingly brave new pop princess. April 2009

My 13-year-old son, Duncan, came with me to a listening session for the new Radiohead album, Hail to the Thief, organized by EMI in an IMAX theatre equipped with massive, state-of-the-art, surround-sound speakers. Duncan writes about music for a magazine called Brand New Planet, so he had a legitimate reason for attending. (In truth he was more excited about seeing a sneak preview of The Matrix Reloaded that EMI had added.) As the lights in the IMAX theatre darkened and the hypnotic groove of the opening track “2+2=5” kicked in, my son and I settled in for an accentuated aural experience. By the time he heard the dreamy, rhythmic strains of “There, There,” Duncan leaned over to me and whispe...