Gordon Lightfoot Book, Music and More!

These indie rockers got pegged as Ivy League preppies, because they attended Columbia University and sang literate songs about co-ed infatuations and English grammar. But Vampire Weekend created a thrilling hybrid sound, mixing new wave and Afro-pop on songs like “Cape Cod Kwassa Kwassa” that garnered rave reviews. Here, singer-guitarist Ezra Koenig and his bandmates keep up the infectious worldbeat mix, resembling Graceland–era Paul Simon on “Diplomat’s Son” and the sweetly cascading “White Sky.”

Is storytelling the art of words or the alchemy of sound? For Paul Simon, master songwriter, it all begins with a beat. “You have to catch the right rhythm to get people’s attention,” he told Maclean’s recently. “If you get it wrong, people don’t hear you.” Sitting backstage last month at Toronto’s Massey Hall, prior to one of two sold-out concerts, Simon explained the genesis of his latest album, You’re the One, an exquisite collection of warm, gentle songs about fate and mortality. Rhythm and rhyme have been the cornerstones of Simon’s celebrated career, as far back as the mid-1960s when he and partner Art Garfunkel first gained prominence as America’s top folksinging duo. T...

Now that the turmoil of recent times has passed, Joseph Shabalala can look back fondly on those halcyon days nearly 10 years ago when his group, Ladysmith Black Mambazo, first joined Paul Simon on tour. The South African vocal ensemble had sung two songs with Simon on his critically acclaimed Graceland album, but those had been in English. And Shabalala wasnt sure how audiences would respond to his group's Zulu material. "It was a real culture shockk when we stepped onstage," admitted the modest, soft-spoken singer, during a tour stop outside Chicago. "I was so worried that people would be discouraged by our language." The shock was, of course, they weren't. From the moment audienc...

Paul Simon’s new album, Graceland, opens with an accordion wheezing erratically, as if trying to catch its breath. Then, a thundering drumbeat and a pulsing bass gradually add a more certain rhythm. By the time Simon begins to sing, the strange music has cast a hypnotic spell. That first song, “The Boy in the Bubble,” is a stirring introduction to the colorful sounds of South African music, a topsy-turvy world where guitars play the role of percussion instruments instead of providing the melody, and voices create rhythmic accents. Simon recorded “Bubble,” like much of Graceland, in both Johannesburg and New York. By melding the traditional, vigorous urban sounds of black South Afri...