Gordon Lightfoot Book, Music and More!

Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...

Synopsis

The 1980s was the visual era, a time of aerobics, big hair and even bigger shoulder pads. The decade sees the rise of music videos and the arrival of the digital age, which brings everything from Pac-Man games to compact discs. It’s also the time when Canadian music explodes internationally. Mixing concert clips and interview footage, Rise Up digs up a treasure trove of gold and platinum hits, from Men Without Hats’ “The Safety Dance” to Bryan Adams’ “Summer of 69,” to showcase Canadian music’s phenomenal global rise.

He’s one of the most famous musicians of the 20th century and a rock guitarist of unparalleled talent. Although his mainstream career lasted only four years before his death on Sept. 18, 1970 of an apparent drug overdose, Jimi Hendrix shone so brightly that today his albums and concert appearances are the stuff of legend. The official Hendrix website, run by his estate, painstakingly catalogues every recording and performance he ever made under his own name. And many devoted fan sites do the same. As most fans know, the Jimi Hendrix Experience performed twice in Toronto: once at the Canadian National Exhibition on Feb. 24, 1968, on a bill with England’s Soft Machine and Toronto’s own Pa...

The Troubadour is one of the most storied venues in popular music. Beginning in 1961, owner Doug Weston ran the club, located in West Hollywood on Santa Monica Boulevard, as a showcase for folk and country artists. Later, it featured rock musicians as well. The Troubadour is where Elton John made his triumphant U.S. debut, where the Byrds, who met at a Monday open mic, first performed their classic take on Dylan’s “Tambourine Man,” where Buffalo Springfield made their live debut, where the Eagles’ Don Henley and Glenn Frey met in the front bar and where Led Zeppelin famously played with Fairport Convention in a three-hour jam session. But more than anything, the Troubadour became synonymous ...

Starting in the mid-1960s, Luke & the Apostles—a quintet fronted by the Mick Jagger-like Luke Gibson—were packing Yorkville’s Purple Onion night after night. Although guys were drawn to the Apostlesʼ raw covers of songs like “Crossroads,” “Good Morning Little Schoolgirl” and “You Canʼt Judge a Book,” girls were drooling over the sight of Gibson. Off-stage, Gibson was shy and quiet, but on-stage, he was transformed into a writhing, shaking, screaming package of pure sexual energy. With his curly hair and boyish good looks, Gibson was the bandʼs biggest asset. But the Apostles—guitarist Mike McKenna, keyboardist Peter Jermyn, bassist Jim Jones and drummer Rich McMurray—sounded good enough ...