It was the summer of 1963 and Doug Chappell was riding high. His Toronto band Richie Knight & the Mid-Knights had just hit No. 1 on the charts with Charlena, bringing the group local fame and enabling members, each barely out of their teens, to buy a car. Most purchased sensible sedans. But Mr. Chappell splurged on a brand new Pontiac Parisienne convertible – and painted it an eye-popping shade of pink. Then he cooked up a bold plan: to drive his new set of wheels to Detroit, stopping at every radio station along the way to talk up the band. Mr. Chappell’s taste for crazy promotion schemes and flashy sports cars never waned. Nor did his passion for music – especially by Canadian art...
Gordon Lightfoot Book, Music and More!
The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.
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Canadian pop has clearly come of age. Gone are the days when Canadian musicians had to leave the country to achieve success. Today, our finest, homegrown artists stand shoulder to shoulder with the best in the world, and their records regularly top the international charts. In the 1970s and '80s, Quebec produced several homegrown stars with exceptional voices. Gino Vannelli, a robust singer with a dynamic stage presence, won an ardent following--especially among women. Two other Montreal vocalists scored major breakthroughs: Luba, with her lush, gospel-inflected style, and Corey Hart, with his defiant stance and infamous pout. The late '70s and early '80s saw the rise of Canrock, a genre of ...
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