Gordon Lightfoot Book, Music and More!

Nobody could accuse Lhasa de Sela of taking the easy route to stardom. The Montreal musician insists on singing songs entirely in Spanish at a time when other Quebecbased acts going for a wider audience—even francophone ones— have opted for English. Yet Lhasa’s exotic sound, steeped in melancholic Mexican ballads, has clearly struck a chord. The 25-year-old singer’s debut album, La Llorona, recently went gold in Canada with sales of 50,000 and earned her two Juno nominations, for best global album and best new solo artist Meanwhile, her performances have drawn rave reviews for their intense theatricality. Born in upstate New York to a Mexican father and an American mother, a teacher and phot...

Not many contemporary artists have written and recorded memorable songs about the First World War, the horrific 1914-1918 conflict that killed nine million soldiers and 13 million civilians. One of the best is Australian folksinger Eric Bogle’s ballad “And the Band Played Waltzing Matilda,” as covered by the Pogues on their 1984 album Red Roses for Me. Toronto’s Tony Quarrington has recorded an entire album of original WW1 songs called For King and Country: Canada in the Great War and many are well worth hearing. It takes listeners through the experiences of Canadians during the war, in the trenches and on the home front. There are songs about Winnipeg flying ace Alan McLeod (...

Far too many Toronto music venues have been dying, with owners falling victim to the double whammy of prohibitive rents and crippling taxes. The covid pandemic is just the latest nail in the coffin. First hit were the clubs; now it’s concert halls. The news that the Mod Club is closing has hit the music community especially hard. The 700-capacity concert hall in Little Italy,  at the corner of College and Crawford streets, was the perfect size for mid-level international acts and local artists whose stars were on the rise. It boasted brilliant sight lines, state-of-the-art lighting and exceptional sound and became one of the venues of choice for the Canadian Music Week and North By Nort...

Blue-eyed soul was the term coined in the 1960s to describe the sound of the rhythm-and-blues stylings of excitable white boys. The most famous exponents were America’s Righteous Brothers, the Young Rascals and England’s Spencer Davis Group, with vocalist Stevie Winwood. One the world’s best blue-eyed soul singers has always been Canada’s John Finley. As a member of Toronto’s r&b heroes Jon and Lee & the Checkmates, Finley caused a sensation in the mid-’60s with gut-wrenching, sweat-soaked performances and hyper-adrenalized emotion in a voice that held audiences spellbound as he soared from hushed stage whisper to rafter-shaking scream.  With the Checkmates, Finley was a dominan...

Most drummers stick with the backbeat. With few exceptions (Levon Helm, Ringo Starr, Don Henley and Father John Misty come to mind), the dudes behind the kits rarely step forward to become solo artists in their own right. Toronto’s Martin Worthy has always been a different kind of drummer, one who could easily pick up a guitar and croon a sweet folk ballad or a wry country tune—songs he’d come up with when no one was watching. Although he started out in high school pounding the skins in various rock and soul bands, Worthy was really a singer-songwriter trapped in a drummer’s body. During the 1970s, Worthy partnered with his friend Paul Quarrington in a Seals & Croft-style folk duo called...

The illustrious history of Toronto's famous Colonial Tavern, once one of North America's top music clubs, is now etched into the sidewalk at 203 Yonge Street on a fabulous granite disc, thanks to the Downtown Yonge business association and MOD Developments. The disc, which features the names of over 130 artists who performed at the Colonial, was unveiled on Oct. 29, 2020. So many Canadian artists—of all genres— played Toronto’s storied Colonial, from Cy McLean & his Rhythm Rompers (who broke Yonge Street’s colour barrier in the late ‘40s) to The Viletones (who simply tore up the place in the ‘70s). Through the 1950s and into the '60s, the world's top jazz artists played the Colonial, inc...

Gordon Lightfoot tips his hat to his friend Jerry Jeff Walker, who sadly passed away on October 23. The "Mr. Bojangles" singer once gave Lightfoot his favourite piece of clothing: a jacket made of three kinds of leather, tie-dyed to look like autumn leaves. "I loved that jacket, and I guess that’s how much I loved Gordon," Walker told Lightfoot biographer Nicholas Jennings. Added Walker with a laugh: "I thought [Gord] needed it for his image--loosen him up a bit." Lightfoot wore the jacket on the cover of his Don Quixote album.  R.I.P. Jerry Jeff.

Someone once dubbed his singing style “country-and-Lightfoot,” and there’s certainly some truth to it. With his distinctive nasally twang, there’s always been a big streak of country running through Canada’s greatest folk singer and songwriter. Just look at Gordon Lightfoot’s history: In 1959, Lightfoot joined CBC’s Country Hoedown, as part of the cast of the Singing’ Swingin’ Eight. The show’s set was a makeshift barn, complete with wagon wheels and bales of straw. Members of the Singin’ Swingin’ Eight (four men and four women) wore yoked cowboy shirts and gingham crinoline. Can you spot Lightfoot?Lightfoot travelled to Nashville with Chateau Records’ Art Snider in 1962 and recorded hi...

She was Canada’s consummate country music queen: petite, buxom and with towering hair to match a voice that could scale heartbreaking heights. Beginning in the late 1950s and early ’60s, Lucille Starr was also a trailblazer, singing in both English and her native French while becoming the first Canadian woman to sell one million records and the first to perform at Nashville’s famous Grand Ole Opry. There were many other firsts for the feisty francophone artist, an accomplished yodeller who yodeled Cousin Pearl’s character on TV’s The Beverly Hillbillies. Signed to A&M Records in Los Angeles with Bob Regan, her partner in the Canadian Sweethearts duo, Ms. Starr was simultaneousl...

There are few personal histories as rich as Bobby Dean Blackburn’s. His musical legacy, which runs from the birth of rock ’n’ roll and rhythm & blues in Toronto through to his sons’ Juno-nominated blues band, is as long as Yonge Street itself. Bobby Dean’s ancestral story goes even deeper: his great-grandfather was a U.S. slave who found freedom in Canada on the Underground Railroad. For over half a century, he has paid tribute to that heritage with annual performances at Owen Sound’s Emancipation Festival. Now the veteran musician, who turns 80 later this year, plans to add to his lengthy list of accomplishments. Along with a double album of ballads and gospel songs on the horizon, a fo...