Gordon Lightfoot Book, Music and More!

Dressed in white lace stockings and a silky smoking jacket, she fluttered tentatively around the stage. With her frail figure and whispery voice, she seemed fragile under the spotlight’s glare. But as her pulsing, ethereal music gathered momentum, Jane Siberry spun a web around her audience in Detroit two weeks ago. At 29, Siberry has been hailed in Rolling Stone magazine as a “fascinating” new artist, and many critics feel she is the finest Canadian songwriter to appear in a decade. Once considered too eccentric for popular tastes, the Toronto singer is emerging into pop’s mainstream: her North American tour of 50 cities is currently under way, and last week 30,000 copies of her t...

Elvis Costello is rock’s renaissance man. Along with writing and recording his own songs — some of the wittiest and most acerbic in the pop catalogue, Costello has produced a number of Britain’s best bands, including the Pogues, the Specials and Squeeze. The husband of Diana Krall has also become something of a pop commentator, penning liner notes for CD reissues and acting as a contributor to Vanity Fair. A future Rock and Roll Hall of Famer himself, Costello has collaborated with some of pop’s biggest heavyweights, including Paul McCartney and Burt Bacharach. His latest partner is Allen Toussaint, the legendary New Orleans artist, best known for writing numerous R&B hits and produ...

The doldrums of contemporary popular music have led many artists to other cultures in search of inspiration. Increasingly, bands such as Talking Heads and the Police are incorporating African or West Indian rhythms into their sound. Just how rich and varied that mix can be is evident on Music and Rhythm, a double-record set featuring musicians from more than 15 countries. The “benefit” album was intended to offset the debts of the World of Music Arts and Dance (WOMAD), a large multicultural festival held in England last summer. The collection places rock musicians, from former Genesis singer and festival promoter Peter Gabriel to the Who’s Peter Townshend, alongside the primeval sounds ...

After exhausting the musical possibilities of rhythm and blues over the past 30 years, pop music is searching for ways to rejuvenate itself. The Police found success with their own brand of Jamaican reggae, and such bands as Talking Heads, the English Beat and Culture Club have eagerly borrowed ingredients from other Third World sources. Now musicians— including the Police—are turning to Africa for inspiration. Of all the sounds to come out of that continent recently the most influential—and exotic—is the juju music of Nigeria’s King Sunny Adé. Last week Adé played two triumphant concerts in Montreal and Toronto to coincide with Synchro System, his first album to be released in Canada. ...

It begins with one of the most recognizable riffs in Canadian music: a simple piano intro that goes “dum, da-da-dadum, da-dum, da-da-da-dum.” Written by CanRock legends Randy Bachman and Burton Cummings, it’s the introduction to “These Eyes,” the Guess Who’s massive international hit of 1969. But then a sliding guitar cuts in, followed by some thumping bass and drums. By the time a voice starts rapping about being “in this game a long, long time,” the song has been transformed into something entirely different. “It’s Stick to Your Vision,” the new hit by Maestro, the Canadian artist formerly known as Maestro Fresh Wes. “I’ve seen a lot of valleys, I’ve seen a lot of peaks,” he reminisces in ...

The setting was a public-housing unit in the Toronto suburb of Willowdale. But the two young men were basking in an unmistakably Caribbean atmosphere. The townhouse was filled with the pungent smell of a West Indian fish fry, and a video of a Jamaican reggae dance was playing on the TV. It seemed an unlikely base for two of the fastest-rising stars in rap music, a musical style more associated with U.S. ghettos than Canadian suburbs. But Caribbean-born King Lou (Louis Robinson) and Capital Q (Frank Allert) have made a name for themselves, as the Dream Warriors, by revolutionizing rap music. Said Q: “Everyone’s accustomed to rap with guys swearing and bragging about themselves and violence. W...

Even from an artist renowned for outrageous behavior, the action was a shocking sight. In August, 1984, Richard Penniman—better known as Little Richard, the flamboyant 1950s rocker—began picketing an office building in downtown Los Angeles. The rock star was not on strike; he was on a crusade. The offices belonged to ATV Music Corp., one of the world’s largest song publishers. Little Richard’s claim: that ATV, along with Specialty Records and Venice Music, owed him millions of dollars in royalties for “Tutti-Frutti,” “Good Golly Miss Molly” and other classic Little Richard hits. Four months later his $115-million lawsuit against those companies was thrown out of U.S. Federal Court. Now, Litt...

She was one of Yorkville’s forgotten female folkies, a contemporary of Joni Mitchell and a friend of Neil Young who left Toronto in 1968 for the hills above Los Angeles. For a while, Elyse Weinberg was a Lady of the Canyon herself, with an acclaimed debut album and a rose-tinted future. Newsweek magazine even compared her to Ms. Mitchell, Melanie and Laura Nyro. But disillusionment with the music business eventually caused the husky-voiced singer to drop out, move to the rural northwest and change her name. In 2000 Ms. Weinberg, then living as Cori Bishop in Ashland, Ore., received an out-of-the-blue phone call: a young musician had found her mystical self-titled debut in a thrift ...

The North American rhythm-and-blues circuit of the 1950s and ’60s had a surprising number of artists pushing gender boundaries. Macon, Georgia’s Little Richard, who’d once performed as Princess Lavonne in a traveling tent show called Sugarfoot Sam's, was certainly the best known. But Richard was heavily influenced by Esquerita, a flamboyant and feminine pianist from New Orleans.  Also from New Orleans were two other artists who were gay or transgender or nonbinary: Patsy Vidalia, born Irving Ale, hosted the city’s legendary Dew Drop Inn and recorded as Pat Valdelar; and gay soul singer and impresario Bobby Marchan regularly switched between male and female clothing—complete wi...

At the dawn of the 1980s reggae music was bubbling up in Canada, finding an audience among fans of punk and new wave. Toronto, in particular, was a reggae hotbed, thanks to the city’s large West Indian community and a healthy club and concert scene that thrived on diverse sounds. Reggae legend Bob Marley had already visited Toronto four times, while many other Jamaican stars came and performed concerts. Some, like Jackie Mittoo and Leroy Sibbles, even stayed and made Toronto their home. Several groups from Toronto’s Jamaican community, including Earth, Roots & Water and Ernie Smith & Roots Revival, staged regular shows at downtown venues like the Horseshoe Tavern and Hotel Isabella. ...