Gordon Lightfoot Book, Music and More!

JoJo Bennett was a Jamaican orphan who found his calling when a teacher handed him a horn. Excelling on the trumpet, he grew to become a successful touring musician, songwriter and recording artist. In Canada, he added award-winning bandleader and owner of a recording studio and record label to his accomplishments. But he never forgot his roots, also starting his own music school along the way. Mr. Bennett, who died on Aug. 3 at the age of 81, may have been best known as the charismatic, dreadlocked figure in celebrated Canadian pop-reggae band the Sattalites. But after his passing, those close to him remembered a wise, modest man they affectionately called “Guru” and “Teach.” “Jo was a beau...

Everyone knows that SARSStock, featuring the Rolling Stones, AC-DC, Rush and others, took place in Downsview. But few are aware that Downsview is also notable for once having Canada’s largest nightclub and an auditorium featuring Toronto’s biggest bands. In fact, Downsview at one time was a go-to destination for music lovers, who ventured uptown and “out west” to attend weekly dances in the neighbourhood’s community halls, church basements, and YMCAs. Country music and rock ’n’ roll were the early draws. But, later, the area also became a major breeding ground for hip-hop and R&B. A deeper dive into this history reveals how live music in Downsview began in the late 1950s with countr...

Ellen McIlwaine was the epitome of an adventurous spirit: fierce and independent, the flame-haired artist took her musical gifts in surprising directions, defying expectations at every turn. As a virtuoso slide guitarist with a seismic voice, she excelled in a male-dominated field, leading her bands with a bold musical style that transcended genre and culture. “There is a deep well of the music spirit that lives in me and comes out when I play,” Ms. McIlwaine told interviewer Paul Corby in 2019, when she was awarded a Lifetime Achievement Award by the Toronto Blues Society. “I think a lot of people play with me and through me, and sing with me and through me. It’s really a mystical experienc...

The sunny personality of Kathryn Moses always shone through in her music. Joyous and free-spirited, she expressed those qualities on flute, saxophone and vocals – she was gifted at all three –throughout a career in jazz, pop and classical music that lasted over half a century. Although she started out playing in orchestras, the American-born Ms. Moses eventually immigrated to Canada and shifted into the male-dominated world of jazz in Toronto while juggling work with chamber music, commercial jingles and numerous recording sessions. She contributed to a diverse range of albums by such artists as Bruce Cockburn, Chuck Mangione, Murray McLauchlan, Tom Paxton, Leroy Sibbles, Tom Rush, Raffi, Na...

The Juno Awards turn 50 this year. Canadian music has evolved dramatically in that half century, embracing new styles and cultures with the country’s changing demographics.  Some of the freshest new sounds in Canada have come out of the Toronto area and its diverse African, Middle Eastern and South Asian communities. Here are some of the new rising stars.   Ali Gatie Born in Abu Dhabi, United Arab Emirates to Iraqi parents, Ali Gatie and his family settled in Mississauga, where he first started making music. Inspired by singers like J. Cole and Frank Ocean, he began to make his own romantic brand of “bedroom pop,” going viral with songs like “Moonlight” and “It’s You” and his lates...

He was one of the early architects of Jamaican music – a guitarist, bass player, songwriter, arranger and producer whose contributions to hundreds of recordings helped to shape reggae and popularize it around the world. He played with Bob Marley, Jimmy Cliff, Johnny Nash and Toots and the Maytals, and worked for such famous studio owners as Duke Reid, Bunny Lee and Lee (Scratch) Perry, and the Trojan, Treasure Isle and Upsetter record labels. Yet the name Ronnie (Bop) Williams is barely known outside of reggae circles. Part of the reason for the near anonymity was Mr. Williams’s own modesty. A soft-spoken man, he came from extremely humble roots in rural Jamaica, teaching himself to play on ...

To walk through the middle of Toronto's Kensington Market on a Saturday in the early ’80s was to enter what locals called the “wobble zone.” There on a stretch of Kensington Avenue, between St. Andrew and Baldwin, the booming bass sounds coming from two sets of opposing speakers could throw passersby a little off balance. The duelling sound systems, like something out of The Harder They Come, belonged to a pair of Jamaican expat musicians who ran competing reggae record shops, each facing the other. Stranger Cole came first, in 1978, launching his Roots Records store – the first Caribbean business in the Market – at 58 Kensington. Four years later, Rannie “Bop” Williams opened Record Corner ...

Toronto reggae-soul star Jay Douglas, originally from Montego Bay, got his start with the Cougars, playing at the West Indies Federation Club at Brunswick and College then at Club Jamaica on Yonge Street before crossing over to Le Coq D'Or. The Cougars can be heard on the great Jamaica to Toronto compilation from the Light in the Attic label. Here, Jay and his band return to Yonge and take over the Friar's Music Museum space for a half-hour concert and an animated history lesson of the Toronto music scene. Tip o' the hat to Mark Garner, Museum co-curator Jan Haust and the ever youthful legend Jay Douglas. Watch Jay at the Friar's Music Museum here 

There was a time in the 1950s when Torontonians regularly shuffled off to Buffalo for excitement. That was in the days when puritanical laws in Toronto the Good kept entertainment under tight wraps and alcohol and rock 'n' roll flowed more freely on the American side. But during the Roaring '20s, many Buffalonians were frequently travelling to Crystal Beach, Ontario by ferry boat to visit its giant amusement park and world famous dance hall, featuring the biggest bands of the Swing Era. Opened in 1925, the Crystal Beach Ballroom held the largest dance floor in North America, with room for 3000 dancers on its gleaming wooden dance floor. Among the biggest names to perform there were Coun...

Some songs live forever. Infused with musical elixir, they transcend time and space and even their original language. The Gipsy Kings, for instance, do Sinatra's signature tune "My Way" their way. And the raunchy Latino standard "La Bamba" has been sanctified by the Mormon Tabernacle Choir, no less. For all we know, Chuck Berry's "Johnny B. Goode," now hurtling somewhere out in space aboard the Voyager II, will become a hit on Neptune when it reaches the planet sometime in the next millennium. So how to explain the longevity of "The Lion Sleeps Tonight," which made Brooklyn's The Tokens a one-hit wonder in the '60s? Despite its trite lyrics ("In the jungle, the mighty jungle," etc.) the song...