The latest from Roberts and his bearded bandmates is chock full of anxious anthems for our edgy times, from the uneasy “Stripmall Religion” and the twitchy “Them Kids” to the apocalyptic “End of the Empire,” with its Hip-like boogie guitar. And “Detroit ’67,” which reflects on the Motor City riots, is Roberts’ response to the Lightfoot classic “Black Day in July.” But hope is never far away from his worldview, as in the stirring title track and the joyous singalong “Lions of the Kalahari,” a shout out to his baby girl.
1562 Hits
