Gordon Lightfoot Book, Music and More!

                           The Citgo sign near Fenway Park in Boston. The old neon lights that lit up the sign for years (L) have been replaced by much brighter LEDs, the glowing chips found in digital clocks. Officials say the sign will stand up to the tough New England weather. Re: Preservation of iconic signs is admirable, but not at the expense of common sense (Sept. 12) Ryerson knew full well the challenge it faced with the Sam the Record Man sign, but chose not to embrace it. The university's agreement with the city, dated August 15, 2008, stated that it would use "reasonable best efforts to identify an opportunity t...

                                 Deputation to Toronto and East York Community Council – September 10, 2013 Speaking in opposition to TE26.34 (Proposed Amendments to Agreements between Ryerson University and the City of Toronto - Sam the Record Man Signage) Madam Chair and Councilors: My name is Nicholas Jennings. I am a journalist, historian and a graduate of Ryerson. I have spent my entire career writing about music, including books, TV documentaries and, for 20 years, as feature writer and reviewer for Maclean’s magazine. One of my books, Before the Gold Rush, focused on the history of Toronto’s music sce...

                        Sign this petition and help save a vital part of Toronto's cultural heritage.  Click here to sign: City of Toronto: Have Ryerson University remount the neon "Sam the Record Man" sign.

Truths & Rights was arguably the best reggae band ever to come out of Canada. Formed in the late 1970s in Toronto's Regent Park district, the band, made of of singer-guitarist Mojah, singer Ovid Reid, lead guitarist Vance Tynes, keyboardist Iauwata, bassist Xola, percussionist Ahmid, conga player Quammie Williams and trap drummer Abnadengel, brought reggae music to the downtown scene. Also part of the band was graphic artist Ato Seitu and sound engineer Jeffrey Holdip. "We got tired of playing uptown to just community groups and in community centres," recalls Mojah. "I, for one, always wanted to move out into the mainstream. So I set out on a path of coming down to Queen Street in Toront...

He said it, he did it. Sam “the Record Man” Sniderman loved catch phrases and used them frequently to promote himself and the family business that bore his name. But, unlike the claims of many entrepreneurial blowhards, Sam’s slogans were no empty boasts. He actually did create the “best chain of record stores in Canada, with great music at great prices,” like he boldly predicted he would, and built a reputation as the greatest promoter of domestic talent that Canadian music ever had. Long before CanCon regulations, which he helped to usher in, Sniderman made a habit of giving prominent display space in his stores to domestic artists. Gordon Lightfoot remembers how Sniderman faithfully stock...

I had the honor of introducing Feist at the Polaris Music Prize gala on Sept. 24 at Toronto's historic Masonic Temple. She won the prize, after performing "Caught a Long Wind" and "The Bad in Each Other." I was pleased, as Metals is an extraordinary album and had been my number one pick all along. Here's what I said in my introduction: After the runaway success of The Reminder, Feist needed a clean slate. She found it in Big Sur, a place of stunning vistas and quiet reflection. Working there with longtime partners Mocky and Chilly Gonzales, she discovered a new range of expression and forged an album of rare depth and beauty. Feist found inspiration in the elements and cast them into alloys ...

Among blues-rock soloists and accompanists, he had few equals. An exceptional pianist, organist and accordion player, Richard Bell left his mark on more than 400 albums, some of which he also produced, arranged and composed and sang on. Renowned for his sense of humor as well as his dazzling keyboard chops, the Toronto-born Bell performed with such legendary figures as Janis Joplin, Paul Butterfield and Bob Dylan and played a supporting role in some key events in rock ’n’ roll history. When he died last week at Toronto’s Sunnybrook Hospital, after a year-long battle with cancer, friends and associates around the world mourned the loss of a beloved and highly respected musician who, according...

Few pianists swung as hard or played as fast and with as many grace notes as Canada’s Oscar Peterson. The classically trained musician could play it all, from Chopin and Liszt to blues, stride, boogie, bebop and beyond. He led his own jazz trios, performed with such legendary figures as Ella Fitzgerald, Count Basie, Dizzy Gillespie and Louis Armstrong, who called him “the man with four hands,” recorded more than 200 albums and wrote such memorable works as “Hymn to Freedom” and the “Canadiana Suite.” “A virtuoso without peer,” concluded his biographer, Gene Lees, in The Will to Swing. When Peterson died this week, music lovers around the world mourned the loss of a lyrical stylist and one of...

Billy Bryans was best known as the drummer and founding member of the Parachute Club, the Juno Award-winning political rock group famous for its anthemic hit “Rise Up.” But his credits and contributions ran much deeper and he may ultimately be remembered as a cultural bridge builder who changed the sound of Canadian music. As a musician, Bryans performed and recorded with bands across the musical spectrum, from rock and blues to punk and African styles. At the height of the new wave era, playing in several groups at once, he was often seen pushing his drum kit on a trolley from club to club along Toronto’s Queen Street. His work as a record producer was equally eclectic, working with everyon...

In 1985, I was invited to a small reception in a Toronto hotel to meet a young woman who was already creating a major industry buzz. Besides being gospel great Cissy Houston’s daughter, Dionne Warwick’s cousin and Aretha Franklin’s goddaughter, Whitney had been signed by Clive Davis, a man with proven ears for talent. The moment Whitney walked into the room, I was struck by her natural beauty and youthful innocence. Just 22, she was fresh-faced and shy, yet already so poised. Sweet and soft-spoken, we chatted together about her new album and upcoming tour. There was an air of barely contained excitement about her, like a debutante at her coming-out ball. Less than a year later, Whitney had b...