Gordon Lightfoot Book, Music and More!

PURPLE RAIN Directed by Albert Magnoli.   Purple Rain resembles its provocative singing star, Prince: it delights in breaking rules and raising eyebrows. While such anarchic behavior is the root of rock music, it is rare in rock films. They usually offer a safe and predictable storyline that is little more than background to the soundtrack. But Purple Rain cleverly integrates its sultry electronic funk music with a story of unexpected depth and emotion. It receives great support from Prince himself, the 24-year-old pop sensation from Minneapolis who, in his first, largely autobiographical film, vividly translates his charismatic stage personality to the screen. Princ...

Prince is one of pop's true originals. His credo of eroticism and his nervy, androgynous pose have made the 24-year-old Minneapolis native a constroversial figure. Radio stations often ban his sexually explicit songs from airplay, but his music is an ingenious blend of keyboard funk and guitar rock. Purple Rain is a kaleidoscope of pulsating sounds and velvety textures. It opens with the cheerful chaos of "Let's Go Crazy," in which Prince preaches hedonism in the face of impending apocalypse. "Darling Nikki," about a steamy encounter with a nymphomanic, features a wailing guitar, and "The Beautiful Ones" is a breezy, romantic song sung in a sensual falsetto. Prince excels on "When ...

“Travel is fatal to prejudice, bigotry, and narrow-mindedness,” Mark Twain wrote.  It also has the power to awaken the senses.  In 1962, I was an innocent abroad, a white boy plucked from homogenous suburban Toronto and deposited in the tropical, northern Malayan town of Ipoh.   My father, born there during colonial times, had decided to move us to his hometown while he embarked on a writing project and explored his ancestral roots.  I can still vividly remember all the exotic smells, sights and sounds of the place.  A walk through Ipoh’s streets, past food stalls selling aromatic curries and spiky rambutans, dodging trishaw peddlers and pedestrians in sarongs and ch...

Yoko Ono has long been misunderstood. Blamed for the Beatles’ breakup and criticized for her influence over husband John Lennon, she has never been accepted outside of avant-garde circles. That may be changing. Last year, New York’s Museum of Modern Art mounted an extensive exhibition of her paintings, drawings, sculptures, films and music. Now everyone from Sonic Youth to Lady Gaga is calling the controversial 83-year-old an influence. A new album of collaborations sees contemporary musicians reinterpreting her music. Alt-rockers Death Cab for Cutie provide new synth backing to Yoko’s “Forgive Me My Love,” while Sweden’s pop-rock trio Peter, Bjorn & John offer dramatic accompaniment to ...

The flame-haired star, part of rock’s sisterhood with Linda Ronstadt and Maria Muldaur, is a formidable slide guitarist. As a young performer on the Boston coffeehouse circuit in the late 1960s and early ’70s, Raitt met blues greats like Sippie Wallace, Son House and Muddy Waters and immersed herself in the tradition. Soon, she was winning acclaim for her own bottleneck style. Born and raised a Quaker, she has always mixed activism with her music, campaigning against nuclear energy with No Nukes concerts and co-founding the Rhythm and Blues Foundation, which works to improve royalties, financial conditions, and recognition for R&B pioneers. Her recorded history is exceptional, ...

Behind a dilapidated storefront in central Havana, an ancient ritual is under way. An old black man, sitting in a crumbling shell of a room, instructs four initiates in the art of traditional Yoruba drumming. Beneath the glare of a dangling light bulb, Elpidio Acea barely seems up to the task. Wiry and wizened, he looks like he’d have trouble keeping a heartbeat, let alone a tricky West African rhythm. But striking two cigar-shaped sticks together, he taps out the offbeat pattern that signs the drums to begin. His students, all young women, respond with a sudden flurry of beats. Today’s lesson is the guaguancó, one of the most complex of all Afro-Cuban rhythms. And two of the students can’t ...

The Grammy Awards has become one of the world’s most-watched television events. Last year, over 25 million people tuned in to see singer Sam Smith win basically … everything. This year’s edition, the 58th (Feb. 15, City), promises plenty of drama as Taylor Swift and The Weeknd challenge nomination leader Kendrick Lamar to decide who takes home the most hardware. Here are five of the biggest things to expect from music’s starriest night.   1. SHOW-STOPPING NUMBERS Live television means that music is spontaneous and often full of surprises. Don’t miss solo performances by Kendrick Lamar, Justin Bieber, Little Big Town, Pitbull and The Weeknd (the “Can’t Feel My Face” singer – a.k.a. Toron...

Dynamite is right. With a voice that channels Pasty Cline and Peggy Lee in equal measure, this Canadian torch singer has exploded since emigrating to New Zealand, where she’s become a country music star. From the plaintive twang of “Cry Over You” to the defiant sass of “Walk (Back To Your Arms),” her talent is on full display.

David Bowie 8 January 1947 - 10 January 2016 I interviewed Bowie on the morning of March 17, 1987, in a Toronto hotel room. He was the most extraordinarily controlled and self-contained subject I'd ever faced, immaculately dressed and absolutely oozing confidence. I remember wondering if he was really that self-assured or simply an extremely good actor (which of course he was). He later performed at a mid-afternoon press conference at the oldDiamond Club on Sherbourne Street, which I was lucky enough to attend, with a five-piece band that included Peter Frampton (see photo above). In looking back at my transcript, Bowie's intelligence and self-awareness leaps off the page. When I asked if he...

Rock’s most famous chameleon has changed personas countless times during his career, from Ziggy Stardust to the Thin White Duke. With each mask comes a new sound. For his 25th album, Blackstar (stylized as a symbol), the icon threw out the rulebook. His longtime producer, Tony Visconti, says the goal was to avoid rock ’n’ roll and create a new fusion sound. Released to coincide with the singer-actor’s 69th birthday, the seven-song album includes the unsettling title track, a shape-shifting, apocalyptic torch song that runs nearly 10 minutes, and “Lazarus,” the horn-drenched title number from Bowie's current off-Broadway musical, based on The Man Who Fell to Earth (he starred in the...