Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

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Obituaries, Books

Blog Post: Bill King's Conversation with Nicholas Jennings

I’ve had a casual relationship with music journalist Nicholas Jennings through the years; always a fan of his writing and passion for music. We served together on a panel years back for one of those Ontario Arts giveaways and mostly saw eye to eye. We just happen to be sharing duties with a not so generous singer hell bent on not freeing any grant money to other female singers. This is why I’m not a big fan of these practices other than you do meet some lovely folks who you’d likely never spend a solid three to six hour sit down most days. We picked up on what was going down and made sure the deserving was fairly treated. I invited Nick to drop by my radio show last week and just as suspecte...

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Blog Post: The Bygone Blues of C.W. Stoneking

C.W. Stoneking is the best blues artist you’ve never heard, a distinctly white performer (dressed head-to-toe in white as well) from the far northern reaches of Australia, a man who inhabits the sounds and vernacular of traditional music so convincingly it’s as if he’s been mysteriously transported from the distant past and landed smack dab in the middle of the bright and shiny present. He slicks his hair down with Brylcreem, plays old-time blues, country and calypso on a 1930s Dobro or 1950s Gretsch electric, uses only vintage tube amplifiers and spouts antiquated expressions as he tells his fabulously tall tales of shipwrecks, voodoo and talking lions. He’s a cross between carnival barker,...

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Music Review: Various artists - I Saw the Light

British actor Tom Hiddleston shines as Hank Williams in the new biopic. Coached by country star Rodney Crowell, Tom sings convincing renditions of Hank’s classics, including “Jambalaya,” “Move It On Over” and “Hey Good Lookin’.” The soundtrack also features songs by such period stars as Eddy Arnold, Eartha Kitt and Jo Stafford.

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Music Review: Kacy & Clayton - Strange Country

Clayton Linthicum and his second cousin Kacy Anderson hail from southern Saskatchewan, but Clayton’s guitar and Kacy’s voice are rooted in the British folk styles of Davey Graham and Sandy Denny. With songs like the beguiling title track and the dreamy “If You Ask How I’m Keeping,” it’s an intoxicating, otherworldly brew. 

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Music Review: Beyoncé - Lemonade

It’s easy to see Beyoncé’s new album as an angry response to a broken marriage. Some songs seem to confirm rumors of alleged infidelities and an impending split with rapper husband Jay-Z. “We built sand castles that washed away,” Beyoncé sings wistfully, before venting “What a wicked way to treat the girl that loves you.” Anger is most visceral on “Don’t Hurt Yourself,” a raw number featuring Jack White’s bluesy guitar. But the album also explores themes of hope, forgiveness and redemption and includes “Freedom,” her Black Lives Matter anthem with Kendrick Lamar. “It’s time to listen, it’s time to fight,” Beyoncé sings on “Forward,” a duet with James Blake. By the time she confesses, “How I ...

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Music Review: Rufus Wainwright - Take All of My Loves: 9 Shakespeare Sonnets

Grandiosity comes naturally to Rufus. The acclaimed singer-songwriter has an unabashed love of dramatic music. In 2007, he recreated Judy Garland’s legendary 1961 Carnegie Hall concert. His most recent album is a recording of his own opera Prima Donna. Now Rufus has embraced his love of Shakespeare, something he’s explored a little before. Actors Carrie Fisher, William Shatner and Helena Bonham Carter recite sonnets, while members of the BBC Symphony Orchestra back Rufus and his assortment of guest vocalists. Rufus and Austrian coloratura soprano Anna Prohaska offer male and female takes on “A Woman’s Face,” and his sister Martha Wainwright joins him on “Unperfect Actor.” Rufus even dips int...

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Movie Review: Purple Rain

PURPLE RAIN Directed by Albert Magnoli.   Purple Rain resembles its provocative singing star, Prince: it delights in breaking rules and raising eyebrows. While such anarchic behavior is the root of rock music, it is rare in rock films. They usually offer a safe and predictable storyline that is little more than background to the soundtrack. But Purple Rain cleverly integrates its sultry electronic funk music with a story of unexpected depth and emotion. It receives great support from Prince himself, the 24-year-old pop sensation from Minneapolis who, in his first, largely autobiographical film, vividly translates his charismatic stage personality to the screen. Princ...

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Music Review: Prince and the Revolution - Purple Rain

Prince is one of pop's true originals. His credo of eroticism and his nervy, androgynous pose have made the 24-year-old Minneapolis native a constroversial figure. Radio stations often ban his sexually explicit songs from airplay, but his music is an ingenious blend of keyboard funk and guitar rock. Purple Rain is a kaleidoscope of pulsating sounds and velvety textures. It opens with the cheerful chaos of "Let's Go Crazy," in which Prince preaches hedonism in the face of impending apocalypse. "Darling Nikki," about a steamy encounter with a nymphomanic, features a wailing guitar, and "The Beautiful Ones" is a breezy, romantic song sung in a sensual falsetto. Prince excels on "When ...

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Around the world on a 45 rpm disc

“Travel is fatal to prejudice, bigotry, and narrow-mindedness,” Mark Twain wrote.  It also has the power to awaken the senses.  In 1962, I was an innocent abroad, a white boy plucked from homogenous suburban Toronto and deposited in the tropical, northern Malayan town of Ipoh.   My father, born there during colonial times, had decided to move us to his hometown while he embarked on a writing project and explored his ancestral roots.  I can still vividly remember all the exotic smells, sights and sounds of the place.  A walk through Ipoh’s streets, past food stalls selling aromatic curries and spiky rambutans, dodging trishaw peddlers and pedestrians in sarongs and ch...

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Music Review: Yoko Ono - Yes, I'm a Witch Too

Yoko Ono has long been misunderstood. Blamed for the Beatles’ breakup and criticized for her influence over husband John Lennon, she has never been accepted outside of avant-garde circles. That may be changing. Last year, New York’s Museum of Modern Art mounted an extensive exhibition of her paintings, drawings, sculptures, films and music. Now everyone from Sonic Youth to Lady Gaga is calling the controversial 83-year-old an influence. A new album of collaborations sees contemporary musicians reinterpreting her music. Alt-rockers Death Cab for Cutie provide new synth backing to Yoko’s “Forgive Me My Love,” while Sweden’s pop-rock trio Peter, Bjorn & John offer dramatic accompaniment to ...

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