Gordon Lightfoot Book, Music and More!

Rare is the band that survives the challenges of constant touring, recording and inevitable membership changes. Rarer still is the group that keeps improving, consistently honing its craft and polishing its sound. The Sattalites have achieved that remarkable feat over the course of 30 years, establishing themselves along the way as one of the world's premier reggae acts. Built on the foundational talents of Jo Jo Bennett and Fergus Hambleton, the Sattalites have forged a fresh, vital sound that blends stirring roots reggae with thrilling harmonic pop. This collection represents all sides of the Sattalite sound, from the bubbling joy of "Wild" to the horn-driven ride of "Sunroof." Two can mak...

With last year’s Caribbean crossover album Killer on the Rampage, Guyana-born Eddy Grant proved he could create a successful solo album by working alone in his Barbados studio. Grant wrote, arranged and produced every song on that album, including the gritty hit single “Electric Avenue,” and played all the instruments as well. But his follow-up album, Going for Broke, suggests that he is now suffering from artistic isolation. The circus-style reggae of “Only Heaven Knows” and the somnolent ballad “Blue Wave” reveal senseless content and inexcusably sloppy technique, while an irritating, indulgent guitar solo mars the vigorously rocking “Romancing the Stone,” which he wrote for the recent fil...

When Bob Marley died of cancer at 36 in 1981, he received a burial more befitting a king than a musician. His funeral drew the largest crowds in Caribbean history. The Jamaican parliament recessed for 10 days of national mourning, having just awarded him an Order of Merit. As millions mourned the passing of reggae music’s first major star, music industry insiders predicted that reggae— with its bass-heavy beat and its lyrical links to the island’s mystical Rastafarian religion— would soon fade away. But the forecast was wrong. Despite the death of its leading practitioner and reggae’s continuing struggle for airplay on North American radio stations, its appeal keeps spreading. This summer, r...

Canada’s reggae veterans have “reggae-fied” everything from the Beatles’ “She Loves You” to Cat Stevens’ “The First Cut is the Deepest.” Here, they add the one-drop rhythm to the Rascals’ “Groovin’.” But catchy covers are only part of the Sattalites’ oeuvre. Led by Jo Jo Bennett and Fergus Hambleton, the band—now happily celebrating its 20th anniversary—also delivers polished originals like Hambleton’s “The Key” and Bruce “Preacher” Robinson’s spirited dancehall rap “God Bless.” Joyful, unpretentious stuff.

It’s been easy to dismiss Sinéad O’Connor as a kook, a volatile artist who seemed hell bent on career self-destruction by refusing to have the American national anthem played before her U.S. concerts and ripping up Pope John Paul II’s photo on Saturday Night Live. The backlash was swift and severe. The outspoken Irish-born singer suffered a nervous breakdown, attempted suicide and announced her retirement from the music business—several times. Last year, O’Connor took out a full-page ad in the Irish Examiner newspaper, pleading with her critics to be left alone. “I have been the whipping post of Ireland’s media for 20 years,” she wrote in the 2,000-word open letter. “If ye all think I am suc...