Gordon Lightfoot Book, Music and More!

Artistic genius, or howling, lost-on-the-moor madwoman? Kate Bush has always defied description—and divided audiences along the way. As British author John Mendelssohn put it, when Bush “came out of of nowhere in 1978 with her jaw-droppingly eccentric debut single ‘Wuthering Heights,’ screeching like a banshee, flapping her arms as though trying to take wing, pulling alarming faces, people either adored or loathed her.” But absence has benefitted Bush. Since dropping out of the music world to raise a family, a massive cult has grown up around the reclusive, publicity-shy singer. There are now Kate Bush fashions and fan conventions, while the truly obsessive celebrate her birthday as “Katemas...

Quique Escamilla’s music is a tantalizing blend of sweet and sour, light and dark. The talented Canadian troubador’s entrancing second album opens with the Manu Chao-like reggae vibe of the title track, a tart tale of historical corruption and exploitation in his Mexican homeland, and ends with the gorgeous “Tú Sólo Tú” (“You Only You”), a pedal-steel-drenched traditional ranchera about obsessive love, a song Tejano pop star Selena covered before her tragic death. As with his debut album, the Juno-winning 500 Years of Night, Escamilla doesn’t shy away from other hard-hitting subjects, including “Highway of Tears,” about British Columbia’s remote highway where so many Indigenous women and gir...

Rustico, P.E.I., native Lennie Gallant tended in his first two albums, Breakwater and Believing in Better, to focus on social issues. But on his third recording, The Open Window (Sony), Gallant’s first for a major label, the Maritime singer-songwriter shifts his emphasis to matters of the heart. Although he has been compared with Bruce Springsteen and John Mellencamp for his issues-oriented material, on his latest—a mix of folk-rock and country numbers—Gallant sounds more like a cross between Gordon Lightfoot and Stan Rogers. The romantic ballads, including “Three Words” and “Embers,” a love-on-the-rocks tale featuring producer Colin Linden’s chiming guitar, are a cut above the usual contemp...

Steeped in voodoo lore, New Orleans has a reputation for casting a spell on visitors. Known to its residents as “the Big Easy,” the city has a tropical climate and a French and Spanish colonial history that give it an atmosphere unique in North America. Tourists are charmed by its annual Mardi Gras festivities and its world-famous Cajun cuisine. But for many people, music provides the city’s most potent magic. Although it has long been associated with such traditional styles as Dixieland, New Orleans also produced some of the liveliest rhythm and blues of the 1950s. Later, its musicians provided rock ‘n’ roll with exotic flavorings. Now, the city is experiencing a musical boom that extends f...

Gord Downie inhabits an enviable place in Canadian culture. At concerts, thousands of fans chant his lyrics as if they were mantras. They hang on his every move with the rapt attention of a church congregation. Yet the Tragically Hip’s charismatic front man has never seemed altogether comfortable in the role of shaman. His first allegiance has always been to the band and the friends with whom he formed the group more than 15 years ago in Kingston, Ont. Now, with Coke Machine Glow, 38-year-old Downie is stepping out on his own with a poetry book and his first solo album. Released jointly by Universal Music Canada and Vintage Canada (they will be sold as a single package for the first two week...

Jazz musicians have often turned to Cuba, one of the world’s hotbeds of rhythm, for inspiration--most notably Dizzy Gillespie. Canada’s Jane Bunnett fell in love with the island’s music more than 10 years ago, when the flutist and soprano saxophonist visited there with trumpeter Larry Cramer. A rising international jazz star, Bunnett and husband Cramer recently returned from Cuba with a valuable souvenir: Spirits of Havana, a prized collaboration with several top Cuban musicians. Some of the recording, featuring veteran singer Merceditas Valdés and percussionists Grupo Yoruba Andabo, is simply well-produced, traditional Afro-Cuban music. But such numbers as “Yo Siempre Oddara (Forever Strong...

A return to her jazzier side, Taming the Tiger finds Joni Mitchell, now 54, happy but hardly complacent. Featuring saxophonist Wayne Shorter (Weather Report) and drummer Brian Blade (Joshua Redman), the album includes sensuous, romantic numbers like “Love Puts On a New Face,” with its swirling keyboards and Mitchell’s pastel-shaded chords, and “The Crazy Cries of Love,” about a late-night tryst on a train bridge that she wrote with her boyfriend, Saskatoon songwriter Don Freed. But other songs, such as “Lead Balloon” and “No Apologies,” attack some of Mitchell’s favorite targets: corrupt lawyers and twofaced record executives. On the acerbic title track, she sings: “I’m a runaway from the re...

One of the world's pre-eminent record producers, Canada's Daniel Lanois stepped out from behind the controls in 1989 to release his own album. An auspicious debut, Acadie signalled the arrival of a promising new performer with a flair for moody, country-tinged rock. For the Beauty of Wynona, his follow-up album, reveals other facets of his artistry. Inspired by Winona, Ont., the town near Hamilton where Lanois grew up, the recording is full of songs that conjure up stark, sometimes haunting images. The title track, with its childhood memories of fishing and girls skipping double-dutch, and “Sleeping in the Devil's Bed,” a lazy honky-tonk number, have a shimmering, dreamlike quality. And ther...

For fans who have always known that a serious singer lurked beneath k. d. lang's tongue-in-cheek country exterior, Ingénue is thrilling confirmation. Gone are the hoedown humor and country-punk affectations that characterized--and sometimes marred--her earlier style. A moody collection of ballads, Ingénue is steeped in the torch tradition of such singers as Julie London and Patsy Cline in her pop period. And the songs, written mostly by lang and fiddler Ben Mink, reveal a surprising vulnerability. On “The Mind of Love,” a tale of tortured romance, lang asks herself, "where is your head Kathryn/where is your head." And on “Save Me,” a shimmering ballad, her voice washes over the listener like...

Lori Yates' country roots run deep--in Toronto's Queen Street music scene, not Nashville. So when CBS Records signed the singer and flew her down to Music City to record a debut album in 1989, it proved to be a mistake: Can't Stop the Girl not only took the girl our of the country, it also took the country--at least Yates' special brand of it--out of the girl. Five years later, the spirited singer finally gets the introduction she deserves with Breaking Point, a superb collection of rocking country and bluesy pop tunes written and performed with the cream of Queen Street talent. A gritty heartache number like "Make a Liar Out of Me," with backup vocals by Blue Rodeo's Jim Cuddy and guitarist...